Ensure the mode is set to ‘Full song’, the Tail is set to ‘Leave Remainder’, your bit depth is 24-bit, and you use 64-point sinc settings.Īll of these settings will ensure that your mix is ready to be mastered. Whenever the mix is done and it’s time to export it, do so via File, Export, and then choose a WAV file. ![]() I’ll make sure the saturation dial is all the way up to avoid distorting my peaks and ensure I’m not using the limiter aggressively. Then I’ll use a limiter to protect from clipping distortion while boosting the gain to increase perceived loudness. I’ll enable high-quality mode to ensure aliasing distortion doesn’t occur - then boost some highs to add air. On the master bus, I only used 2 processors - first I used a parametric EQ which will give me more control over the frequency response of my mix bus. It’s best not to use these too aggressively but just to gently reshape an instrument in the context of the mix. With it I’ll add some highs or lows to various instruments. Now that we’ve added our processing to our tracks, let's rebalance our levels using the channel faders and do some super quick frequency shaping using the convenient 3 band EQ located on each channel strip. Watch video example Quick Shaping and Balancing For the vocal, the long reverb helped it stand out and give it an identity separate from the rest of the song.įor my drum loop, the short reflections thickened the percussive nature of it and helped sound more powerful in the mix. I used reverb for different reasons on different instruments - for example, I used a long and stylized reverb on my vocals but a short one on my drum loop. Additionally, I reduced the strength of Maximus and my chorus using the parallel dials to the right of my inserts. With the multiband compressor, I only affected the highs and liked the aggressive sound of running my processing into this compressor. Using Maximus I shaped the frequency response, but using downward expansion on the lows, and upward on the highs.įor the reverb, I placed it on the mid image, used a medium size, and blended it in with the wet/dry on the right. Watch video example Vocal Chain in FL Studioįor my vocal chain, I used 5 plugins - Soundgoodizer, fruity chorus, Maximus, Fruity Reverb 2, and Fruity Multi-band Compression which I used for de-essing. ![]() Using the master section, I increased the quieter aspects of the bass by sloping that part of the dynamics upward or expanding them.įrom there I slightly reduced the release to make the expansion quicker. I used this on a few instruments, but let’s look at how it’s used on the bass. When it comes to your dynamics, Maximus is a valuable plugin - mainly because it lets you maximize or use low-level or upward compression to bring detail forward. It’s just one dial with 4 different settings so you can quickly add some saturation, brightening, dynamic control, and other quick timbre changes to an instrument.įor this mix, I used it on the vocal, clap, and kick - so it works well at click bringing important instruments forward. Then I’ll use the pan pots put some instrumentation close to the left or right to expand my stereo image and clear some room in the middle for more driving instrumentation like the kick and bass.įL Studio’s stock plugins make it easy to get a polished sound pretty quickly - soundgoodizer is a good option for this. For example, I’ll make the vocal a bit louder so that it cuts through. Now that we have everything organized, let’s get some levels for our tracks using the channel faders to push certain instruments into the forefront and let others be more of a support. Watch video example Establish Levels and Pan Let’s listen to the original unprocessed mix we’re working on. Lastly, let’s rename all of our tracks from Insert 1, 2, etc, to a more recognizable name so we know what is what. Once we do this for all of our tracks or instruments, click on the mixer tab to open up that window. ![]() First, we need to import all of our tracks into the playlist section - then double click each track, and make the tracks ascending track 1 is routed to track 1, etc. Since FL Studio isn’t designed with mixing in mind, it takes some routing to ensure you can mix properly. Get a FREE Mastered Sample of Your Song ➜ They provide, like Maximus, soundgoodizer, and more. Once you’ve done that you can begin by adding some of the useful stock plugins. ![]() When mixing in FL Studio, after you import your stems or tracks, you’ll need to route each track to a distinct channel fader in the mixer.
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